Every semester my face-to-face students have an activity hacking the design of Ozobots to create maps where the bots navigate a process – the bots demonstrate process flow.
So today, in first year composition, the students drew on their reading of a chapter in our open source textbook to 1) draw a map of breaking down a writing assignment, OR 2) draw a map of breaking down audience for an assignment. Students self selected groups, then worked together on their maps.
In typical fashion, this elicited a lot of “what SHOULD this look like”, “what SHOULD we use these colors for” type questions. Students are both nervous about and unused to free range creative assignments. These students were also not as prepared as they should have been from the assigned reading.
What I found really interesting was the revision. These students naturally, or through group feedback, performed a lot of very sophisticated revision practices in creating their maps. Almost all the groups brainstormed, organized, and sketched out their plan before committing to the activity. While this meant most groups needed 30+ minutes to draw, the final maps were well designed, well thought-out representations of assignment and audience analysis processes.
Additionally, most groups revised their map once they ran the robot through it once. While the robot requires Crayola Marker, so revision ends up ‘looking messy’, the though process to revise, the desire to revise despite the messiness so the map better demonstrated their process, and the recognition that the situation (as with all writing) called for revision was AMAZING.
I did not prompt for revision, per say. I offered the robot so the groups could ensure everything worked.
I did tell them, when I handed over the robot, that they needed to share a video or image of the robot in their map on Twitter.
As I’m self-reflecting on the overall assignment design, I’m even more impressed with the complex revision practices students chose to engage, and work out with each other. I’m wondering if timing played a role, at what point I told them to share on Twitter. Or, if the public sharing of twitter was the driving force for better revision. I’m still flushing out what a social media pedagogy means, and why the practice with public communication should be such an important component of academic writing in higher education. Finding the balance in kairos – when to tell students what to share, connected to the public sharing to model the need and urgency of revision for public writing seems to be the important space to consider in course design. But how do we (educators) know how to find that balance on any given day?