online composition course theory

Last week I perused the Kairos list of books they’d like reviewed. Many are books I want to read or am planning to use in my courses in the Fall. As I then moved books from my home office to my work office I organized the books I used in my dissertation on online composition courses. Revisiting the Kairos list, I’m noticing a HUGE gap in book-length research on teaching online (from composition scholars – I know there is research).

What I’m wondering is if:

  1. we see the existing research as comprehensive enough – to which I have a huge issue. I know Teaching Writing Online is still a highly recommend text, but I critiqued it in my dissertation 3 years ago and still think we need to move far beyond that text
  2. we are publishing in mostly article length projects. There are advantages to this, especially with amazing digital publications allowing for playful composition in our articles.

What I want to focus on here, is #1. Last week I also read a post on Hybrid Pedagogy about Critical Digital Pedagogy (I can’t find the article now, I’ll update this post with the link when I find it). What I found so important about this particular transcript of a speech was the focus on where we are as scholars of praxis with online/hybrid courses, and the potential for growth. Focusing on the idea that growth is not just inevitable, but needs to become the focus again of online pedagogy discussions is so important to me.

While my current institution fills more hybrid classes than online classes, the potential for graduate certificate student growth in online and hybrid grad classes exists. To develop this program and provide meaningful courses to post-bach professionals, our department needs to not only engage with current composition theories and coursework, but with online and digital pedagogies to provide courses that allow students to navigate for meaningful interactions.

The focus on Teaching Writing Online as translating curriculums to online space is insufficient, the hard questions aren’t raised and addressed. The messiness of online courses, the changes that occur part-way through a term to accommodate learners is missing. While critical digital pedagogy offers more critical thinking approaches to pedagogy than answers for designing learning given the tools students and faculty can access-

-and I would like to suggest adding considerations of race, class and gender since all may have an affect on student literacies when they engage with the courses – heck considerations for the HUGE variety of student literacies when they engage with digital material needs further discussion and consideration. Additionally, what do students expect from an online course, what do they get from an online course? These were questions I raised from the variety of data I found in my dissertation that still need further exploration. Just because students use Facebook or Twitter doesn’t mean we (educators/researchers) know anything about HOW they engage, so we don’t know what it will take to help students engage with critical engagement-

-the questions raised in critical digital pedagogy discussions seem to be the focus of just a few researchers (within a specific publication and their training institutes – why if you’re discussing critical digital pedagogy did you design ‘training’ based summer programs instead of a conference that would include more voices on equal footing – especially the voices of women and people of color?).

Yes, i’m actively critically engaging with critical digital pedagogy as I write this blog post, I understand the irony, but I do believe it is a solid theory to re-address the conversations that need to happen in relation to online/hybrid composition pedagogy, even the use of technology in f2f composition courses.

Through these meandering theory connections I’m wondering where the connection is between critical digital pedagogy and the NCTE/CCCC Teaching Writing Online discussions in actual practices. Why do some groups continue to work with one group of texts, while another group works with a separate set. What approaches to online course design do current online composition educators rely on for theory? Beyond developing studies based on current praxis – what are the current gaps in knowledge? What would it require to find out?

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